Part 1 of 5 of the 7/8's profile view begins with the introduction and striking the arabesque and checking the accuracy of your measures. 25:43,

If you haven't already download the reference image at: https://www.artacademy.com/tv/300-Degas.png

Part 2 of 5 of the planar structure of the 7/8's profile view begins with mixing your initial flesh tones from a very limited palette of four colors.

Part 3 of 5 of the planar structure of the planar structure of the 7/8's profile view illustrates how to correct passages that are too light ... you don't just paint over. That leads to color collapse. i.e., mud. 7:16

Part 4 of 5 of the planar structure of the 7/8's profile view introduces you to the pentimento (derived from the Italian pentirsi : to repent). Using the same limited palette of four colors your tonal range is extended to eight values. 49:02

Part 5 of 5 of the planar structure of the 7/8's profile. The pentimento continues to conclusion wherein you are introduced to temperature. Cool/warm values. 56:42

BEFORE YOU BEGIN!
Download the supply list and syllabus at: https://www.artacademy.com/tv/300-Planar-Structures.pdf

Download the reference image at: https://www.artacademy.com/tv/300-Frontal.png

The Pentimento : From your basic palette of four colors a tonal range of six hues is prepared.

The pentimento continues via window-shading beginning with the frontal eminence (forehead).

The Pentimento continues with the structure of the cheeks.

The pentimento continues with the labial tractor and figure/ground relationship.