Module 7 : Velazquez : El Nino
BEFORE YOU BEGIN!
Download the syllabus & supply list at https://www.artacademy.com/tv/700.pdf
Download the reference image at https://www.artacademy.com/tv/700.png
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700-Module-7-Velazquez-El-Nino-Introduction
The Boy from Vallecas, Francisco Lezcano, 1638
Francisco is holding a pack of cards, inviting any rube who might dare to be cheated of a few coins. He is informal and relaxed, possessed of an attitude that would be unthinkable in a portrait of any other sort of person. His casualness belies a c...
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700-MODULE 7 : Velazquez : El Nino : Syllabus & Supply List
3.3 MB
Read me first.
Download the syllabus & supply list at : artacademy.com/tv/700.pdf
Download the image reference at : artacademy.com/tv/700.png
Image size is 11 x 14". Print out on photographic paper at full resolution and no larger than your canvas. Preferably 11 x 14". -
701-Module-7-Velazquez-El-Nino-Ebauche-Part-1
The beginning of a painting often determines whether it will be a success or not. On the one hand the drawing must be reasonably accurate, at least within 90%, and on the other you mustn't be so concerned with the drawing that it inhibits the spirit. Technique should be the liberator of compell...
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702-Module-7-Velazquez-El-Nino-Ebauche-Part-2
The ebauche. Part 2 of 5. 4K
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703-Module-7-Velazquez-El-Nino-Ebauche-Part-3
The ebauche. Part 3 of 5. 4K
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704-Module-7-Velazquez-El-Nino-Ebauche-Part-4
The ebauche. Part 4 of 5. 4K
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705-Module-7-Velazquez-El-Nino-Ebauche-Part-5
The ebauche. Part 5 of 5. 4K
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706-Module-7-Velazquez-El-Nino-Pentimento-First-Pass-Part-1
Pentimento is derived from the Italian 'pentirsi': meaning to repent. Consequently, the measures are rechecked and verified. Drawing issues corrected with a wooden stylus.
Your palette is expanded, so, too, is the range of color values. The facial forms are further modeled and refined.
Part ...
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707-Module-7-Velazquez-El-Nino-Pentimento-First-Pass-Part-2
The Pentimento First Pass continues. Part 2 of 5. 4K
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708-Module-7-Velazquez-El-Nino-Pentimento-First-Pass-Part-3
The Pentimento First Pass continues. Part 3 of 5. 4K
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709-Module-7-Velazquez-El-Nino-Pentimento-First-Pass-Part-4
The Pentimento First Pass continues. Part 4 of 5. 4K
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710-Module-7-Velazquez-El-Nino-Pentimento-First-Pass-Part-5
The Pentimento First Pass continues. Part 5 of 5. 4K
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711-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-1
The second pass of the Pentimento further refines the facial modeling vis-a-vis the asymptotic process of accuracy to ever greater accuracy while embarking upon the materiality of oil paint. To wit, the abstract structural surface.
Part 1 of 8. 4K
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712-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-2
The second pass of the Pentimento. Part 2 of 8. 4K
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713-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-3
The second pass of the Pentimento. Part 3 of 8. 4K
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714-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-4
The second pass of the Pentimento. Part 4 of 8. 4K
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715-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-5
The second pass of the Pentimento. Part 5 of 8. 4K
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716-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-6
The second pass of the Pentimento. Part 6 of 8. 4K
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717-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-7
The second pass of the Pentimento. Part 7 of 8. 4K
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718-Module-7-Velazquez-El-Nino-Pentimento-Second-Pass-Part-8
The second pass of the Pentimento. Part 8 of 8. 4K
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719-Module-7-Velazquez-El-Nino-Finire-Part-1
The Finire, the finishing, is both going for the full stretch of light/dark and warm/cool and pulling the painting into a unified whole. The final articulations of highlights and accents are also a consideration. Albeit somewhat minor.
Part 1 of 4. 4K
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720-Module-7-Velazquez-El-Nino-Finire-Part-2
The Finire ... going for the full stretch. Part 2 of 4. 4K
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721-Module-7-Velazquez-El-Nino-Finire-Part-3
The Finire ... going for the full stretch. Part 3 of 4. 4K
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722-Module-7-Velazquez-El-Nino-Finire-Part-4
The Finire ... going for the full stretch. Part 4 of 4. 4K
