William Merritt Chase: Woman in a Black Hat 1912
William Merritt Chase was a contemporary of John Singer Sargent. Chase's School of Art morphed into The Parsons School of Design, one of the pre-eminent art colleges in the US.
Your training gathers significant steam. Your palette is expanded to nine colors and you'll be introduced to the entire progression of painting a portrait from start to finish.
Whereas Beginning Portrait Painting focused on the Ebauche, the initial construction of painting, Woman in a Black Hat takes you significantly further into the passages (Pentimenti) of painting where you will learn how to strengthen and refine facial structure while acquiring the language of Bravura painting. This is why we copy master paintings.
You will learn how to mix realist flesh tones using color theory and applying your brush strokes with a sympathetic concordance to the underlying anatomical form. That is the essence of Bravura.
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Module 5 : William Merritt Chase : Woman in a Black Hat : Syllabus & Supply List
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501-MODULE-5-CHASE-Ebauche-Part-1
The ebauche : part 1 of 5 : striking the arabesque and facial matrix. 4K
The ebauche (technically the initial, or dead, coloring-in) is the constructive armature of the painting. If the structure is wrong no amount of overpainting will save the work.
In Part 1 you begin with the imprimaturi an...
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502-MODULE-5-CHASE-Ebauche-Part-2
The ebauche : part 1 of 5 : striking the arabesque and facial matrix. 4K
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503-MODULE-5-CHASE-Ebauche-Part-3
The ebauche : part 3 of 5 : striking the arabesque and facial matrix. 4K
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504-MODULE-5-CHASE-Ebauche-Part-4
The ebauche : part 4 of 5 : striking the arabesque and facial matrix. 4K
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505-MODULE-5-CHASE-Ebauche-Part-5
The ebauche : part 5 of 5 : striking the arabesque and facial matrix. 4K
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506-MODULE-5-CHASE-Pentimento-First-Pass-Part-1
Pentimento is derived from the Italian pentirsi (to repent). From the initial armature of the ebauche the painting is further developed utilitizing an expanded palette. Part 1 of 6. 4K
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507-MODULE-5-CHASE-Pentimento-First-Pass-Part-2
The pentimento : first pass continues. Part 2 of 6. 4K
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508-MODULE-5-CHASE-Pentimento-First-Pass-Part-3
The pentimento : first pass continues. Part 3 of 6. 4K
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509-MODULE-5-CHASE-Pentimento-First-Pass-Part-4
The pentimento : first pass continues. Part 4 of 6. 4K
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510-MODULE-5-CHASE-Pentimento-First-Pass-Part-5
The pentimento : first pass continues. Part 5 of 6. 4K
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511-MODULE-5-CHASE-Pentimento-First-Pass-Part-6
The pentimento : first pass continues. Part 6 of 6. 4K
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512-MODULE-5-CHASE-Pentimento-Second-Pass-Part-1
The first pass of the pentimento dry to the touch, the facial structures are further articulated and refined. Further corrections are made in the second pass of the pentimento. Part 1 of 8.
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513-MODULE-5-CHASE-Pentimento-Second-Pass-Part-2
The second pass of the pentimento further refines. Part 2 of 8. 4K
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514-MODULE-5-CHASE-Pentimento-Second-Pass-Part-3
The second pass of the pentimento further refines. Part 3 of 8. 4K
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515-MODULE-5-CHASE-Pentimento-Second-Pass-Part-4
The second pass of the pentimento further refines. Part 4 of 8. 4K
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516-MODULE-5-CHASE-Pentimento-Second-Pass-Part-5
The second pass of the pentimento further refines. Part 5 of 8. 4K
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517-MODULE-5-CHASE-Pentimento-Second-Pass-Part-6
The second pass of the pentimento further refines. Part 6 of 8. 4K
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518-MODULE-5-CHASE-Pentimento-Second-Pass-Part-7
The second pass of the pentimento further refines. Part 7 of 8. 4K
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519-MODULE-5-CHASE-Pentimento-Second-Pass-Part-8
The second pass of the pentimento further refines. Part 8 of 8. 4K
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520-MODULE-5-CHASE-Finire-Part-1
Finishing, the finire, is the final act of pulling the whole painting together (the figure and ground) into a harmonious whole while striving for the full stretch of light to dark, warm to cool.. Part 1 of 8. 4K
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521-MODULE-5-CHASE-Finire-Part-2
Finishing, the finire, is the final act of pulling the whole painting together. Part 2 of 8. 4K
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522-MODULE-5-CHASE-Finire-Part-3
Finishing, the finire, is the final act of pulling the whole painting together. Part 3 of 8. 4K
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523-MODULE-5-CHASE-Finire-Part-4
Finishing, the finire, is the final act of pulling the whole painting together. Part 4 of 8. 4K
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524-MODULE-5-CHASE-Finire-Part-5
Finishing, the finire, is the final act of pulling the whole painting together. Part 5 of 8. 4K
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525-MODULE-5-CHASE-Finire-Part-6
Finishing, the finire, is the final act of pulling the whole painting together. Part 6 of 8. 4K
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526-MODULE-5-CHASE-Finire-Part-7
Finishing, the finire, is the final act of pulling the whole painting together. Part 7 of 8. 4K
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527-MODULE-5-CHASE-Finire-Part-8
Finishing, the finire, is the final act of pulling the whole painting together. Part 8 of 8. 4K
