Module 5 : William Merritt Chase : Woman in a Black Hat, 1912
BEFORE YOU BEGIN!
Download the syllabus and supply list at: https://www.artacademy.com/tv/500.pdf
Download the reference image at: https://www.artacademy.com/tv/500.png and print out on photographic paper to the same size of your canvas. Not more than 12x16" for both.
27 chapters : 4K
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Module 5 : William Merritt Chase : Woman in a Black Hat : Syllabus & Supply List
677 KB
Download the Syllabus & Supply List at: artacademy.com/tv/500.pdf
Your training gathers significant steam in this ultra-4K video workshop. Your palette is expanded to nine colors and you'll be introduced to the entire progression of painting a portrait from start to finish. You will learn how t...
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501-MODULE-5-CHASE-Ebauche-Part-1
The ebauche : part 1 of 5 : striking the arabesque and facial matrix. 4K
The ebauche (technically the initial, or dead, coloring-in) is the constructive armature of the painting. If the structure is wrong no amount of overpainting will save the work.
In Part 1 you begin with the imprimaturi an...
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502-MODULE-5-CHASE-Ebauche-Part-2
The ebauche : part 1 of 5 : striking the arabesque and facial matrix. 4K
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503-MODULE-5-CHASE-Ebauche-Part-3
The ebauche : part 3 of 5 : striking the arabesque and facial matrix. 4K
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504-MODULE-5-CHASE-Ebauche-Part-4
The ebauche : part 4 of 5 : striking the arabesque and facial matrix. 4K
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505-MODULE-5-CHASE-Ebauche-Part-5
The ebauche : part 5 of 5 : striking the arabesque and facial matrix. 4K
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506-MODULE-5-CHASE-Pentimento-First-Pass-Part-1
Pentimento is derived from the Italian pentirsi (to repent). From the initial armature of the ebauche the painting is further developed utilitizing an expanded palette. Part 1 of 6. 4K
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507-MODULE-5-CHASE-Pentimento-First-Pass-Part-2
The pentimento : first pass continues. Part 2 of 6. 4K
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508-MODULE-5-CHASE-Pentimento-First-Pass-Part-3
The pentimento : first pass continues. Part 3 of 6. 4K
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509-MODULE-5-CHASE-Pentimento-First-Pass-Part-4
The pentimento : first pass continues. Part 4 of 6. 4K
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510-MODULE-5-CHASE-Pentimento-First-Pass-Part-5
The pentimento : first pass continues. Part 5 of 6. 4K
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511-MODULE-5-CHASE-Pentimento-First-Pass-Part-6
The pentimento : first pass continues. Part 6 of 6. 4K
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512-MODULE-5-CHASE-Pentimento-Second-Pass-Part-1
The first pass of the pentimento dry to the touch, the facial structures are further articulated and refined. Further corrections are made in the second pass of the pentimento. Part 1 of 8.
4K
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513-MODULE-5-CHASE-Pentimento-Second-Pass-Part-2
The second pass of the pentimento further refines. Part 2 of 8. 4K
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514-MODULE-5-CHASE-Pentimento-Second-Pass-Part-3
The second pass of the pentimento further refines. Part 3 of 8. 4K
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515-MODULE-5-CHASE-Pentimento-Second-Pass-Part-4
The second pass of the pentimento further refines. Part 4 of 8. 4K
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516-MODULE-5-CHASE-Pentimento-Second-Pass-Part-5
The second pass of the pentimento further refines. Part 5 of 8. 4K
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517-MODULE-5-CHASE-Pentimento-Second-Pass-Part-6
The second pass of the pentimento further refines. Part 6 of 8. 4K
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518-MODULE-5-CHASE-Pentimento-Second-Pass-Part-7
The second pass of the pentimento further refines. Part 7 of 8. 4K
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519-MODULE-5-CHASE-Pentimento-Second-Pass-Part-8
The second pass of the pentimento further refines. Part 8 of 8. 4K
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520-MODULE-5-CHASE-Finire-Part-1
Finishing, the finire, is the final act of pulling the whole painting together (the figure and ground) into a harmonious whole while striving for the full stretch of light to dark, warm to cool.. Part 1 of 8. 4K
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521-MODULE-5-CHASE-Finire-Part-2
Finishing, the finire, is the final act of pulling the whole painting together. Part 2 of 8. 4K
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522-MODULE-5-CHASE-Finire-Part-3
Finishing, the finire, is the final act of pulling the whole painting together. Part 3 of 8. 4K
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523-MODULE-5-CHASE-Finire-Part-4
Finishing, the finire, is the final act of pulling the whole painting together. Part 4 of 8. 4K
