Module 6 : Corot : The Greek Girl (Emma Dobigny)
BEFORE YOU BEGIN!
Download the syllabus & supply list: https://www.artacademy.com/tv/600.pdf
Download the reference image: https://www.artacademy.com/tv/600.png
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600A : MODULE 6 : Corot : The Greek Girl : Syllabus & Supply List
2.77 MB
Download the syllabus & supply list: artacademy.com/tv/600.pdf
Download the reference image: artacademy.com/tv/600.png
Print out on photographic paper at the same size as your canvas, but no larger than 12X16" -
601-MODULE-6-COROT-EMMA-EBAUCHE-Part-1
On a toned canvas (an imprimaturi of yellow ochre and a touch of vine black) using a limited palette of four colors the arabesque is struck, the facial proportions are established and the initial color values tiled in with a sculptural sensibility. This is the Ebauche, the beginning.
Part 1 of ...
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602-MODULE-6-COROT-EMMA-EBAUCHE-Part-2
The Ebauche continues. Part 2 of 5. 4K
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603-MODULE-6-COROT-EMMA-EBAUCHE-Part-3
The Ebauche continues. Part 3 of 5. 4K
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604-MODULE-6-COROT-EMMA-EBAUCHE-Part-4-4k
The Ebauche continues. Part 4 of 5. 4K
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605-MODULE-6-COROT-EMMA-EBAUCHE-Part-5
The Ebauche continues. Part 5 of 5.
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606-MODULE-6-COROT-EMMA-PENTIMENTO-First-Pass-Part-1
Pentimento is derived from the Italian 'pentirsi:' to repent. Painting is often an asymptotic process of working toward ever greater accuracy. This includes not only the structural elements of the head, but also, perhaps more importantly, the expression.
This painting required three passes of ...
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Pentimento : First Pass : Part 2 of 4 : 4K
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Pentimento : First Pass : Part 3 of 4 : 4K
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Pentimento : First Pass : Part 4 of 4 : 4K
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The second pass of the Pentimento further refines the facial forms and flesh values. Part 1 of 4 4K
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The second pass of the Pentimento further refines the facial forms. Part 2 of 4 4K
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The second pass of the Pentimento further refines the facial forms. Part 3 of 4 4K
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613-MODULE-6-COROT-EMMA-PENTIMENTO-Second-Pass-Part-4
The second pass of the Pentimento further refines the facial forms. Part 4 of 4 4K
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614-MODULE-6-COROT-EMMA-PENTIMENTO-Third-Pass-Part-1-4k
The third pass of the Pentimento further refines and articulates the forms. The palette is expanded and the figure/ground relationship is addressed. Part 1 of 7. 4K
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The third pass of the Pentimento further refines and articulates the forms. Part 2 of 7. 4K
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616-MODULE-6-COROT-EMMA-PENTIMENTO-Third-Pass-Part-3-4k
The third pass of the Pentimento further refines and articulates the forms. Part 3 of 7. 4K
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617-MODULE-6-COROT-EMMA-PENTIMENTO-Third-Pass-Part-4
The third pass of the Pentimento further refines and articulates the forms. Part 4 of 7. 4K
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618-MODULE-6-COROT-EMMA-PENTIMENTO-Third-Pass-Part-5
The third pass of the Pentimento further refines and articulates the forms. Part 5 of 7. 4K
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The third pass of the Pentimento further refines and articulates the forms. Part 6 of 7. 4K
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620-MODULE-6-COROT-EMMA-PENTIMENTO-Third-Pass-Part-7
The third pass of the Pentimento further refines and articulates the forms. Part 7 of 7. 4K
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621-MODULE-6-COROT-EMMA-FINIRE-PART-1
The finire (the finishing) invokes much more than the articulation of details. Of foremost consideration is Unity.
Not only is the figure/ground relationship pulled into a harmonious whole the painter must also strive for the full stretch of light to dark, warm to cool while also seizing upon...
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622-MODULE-6-COROT-EMMA-FINIRE-PART-2
The finire : Part 2 of 8. 4K
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623-MODULE-6-COROT-EMMA-FINIRE-PART-3
The finire : Part 3 of 8. 4K
